L’Ghoul’s practice subverts common notions of objects and figures, working to detach material from classic iconographic interpretations. Objects assert an alternate autonomy in this world-building process of note-making and drafting. Figures are transformed into motifs, constantly breaking and building visual languages, entering into deeper, underlying dimensions.
The computer plays a central role, where thoughts are translated into a visual language. L’Ghoul uses digital and conceptual tools to abstract personal experiences and interweave them with found material. By re-contextualising these fragments, hybrid environments are created that oscillate between the real and the imaginary.
Through the combination of video and sculpture, a complex network of notes is built, inviting us to visualise past or imagined situations in alternate ways - prompting the viewer to move through these shifting worlds using a variety of senses, demanding a constant re-orientation in the pursuit of clarity.