Grant Foster (b.1982, Worthing), is a London based artist who completed an MA in Painting at the Royal College of Art in 2012. Foster's selected solo exhibitions include: Open to You, Art Lacuna, London (2022-23); I'm Not Being Funny, Lychee One, London (2019); Trade Gallery, Nottingham (2018); Ground, Figure, Sky, Tintype Gallery, London (2017); Popular Insignia Galleria Acappella, Naples (2016), Salad Days, Ana Cristea Gallery, New York (2015); Holy Island, Chandelier Projects, London (2014). In 2016 Grant Foster was Fellow in Contemporary Art with The British School at Rome, in 2019 he was Randall Chair at Alfred University, New York and is currently a mentor on The Turps Banana painting program in addition to being a founding member of audio/visual recording project in a skull, who have released three full length albums to date.
Selected group exhibitions include: Scared Back Into Y(our) Body (w/Jamie Fitzpatrick), ASC Gallery London, (2021); Your Foot in my Face and other tectonic strategies, Kingsgate Gallery, London, (2021), When you Waked up The Buffalo, Mihai Nicodim, Los Angeles, (2020); Exeter Contemporary Open, Exeter Phoenix, Exeter, (2019), 1d For Abroad, Tintype Gallery, London (2019); The Book of Dreams, Chapel on The Green, Wales, (2019), Blemish and Beyond, New Art Projects, London, (2019); A Stone in the Mountain (w/Georgia Hayes), Transition Gallery, London, (2018); Frivolous Convulsions, Turf Projects, London, (2108); You see me like a UFO, Marcelle Joesph Projects, London (2017); Mostra, British School at Rome, Rome (2016); Carnival Glass, Block 336, London (2015); Figuratively Speaking (curated by Marcelle Joseph), Heike Moras Art, London (2015); The Threadneedle Prize 2014: Figurative Art Today (Curated Space by Sacha Craddock), Mall Galleries, London (2014); Rx for Viewing (with Jesse Wine), Ana Cristea Gallery, New York (2014); Bloomberg New Contemporaries, Spike Island, Bristol and ICA, London (2013); Implausible Imposters, Ceri Hand Gallery, London (2013); Backwards Man, CGP London (2012); Memory of a Hope, Ceri Hand Gallery, Liverpool (2011); Between a Hole and a Home, James Taylor Gallery, London (2010); John Moores 25, Liverpool (2008).